The Danes have a saying, “bo bedre,” which means “live better.” It’s the driving force behind TRETTI and Nørdic, two amazing new Collecdev communities, designed to help more people live smarter, live better, live happier than ever before. This month these projects received industry kudos, nominated for two CHBA National Awards:

The Canadian Home Builders’ Association (CHBA) National Awards for Housing Excellence recognize the best in Canadian new homes, home renovations, community development, and marketing. “These nominations place us among a distinguished group,” said Collecdev President, Maurice Wager, upon hearing the news. “The CBHA is the voice of the residential construction industry in Canada and to be recognized by them is a testament to the incredible communities we’re bringing to life.”

TRETTI and Nørdic, have received an overwhelmingly enthusiastic response from the market, impressing purchasers and industry insiders with their holistic approach to development. Inspired by Scandinavian cities like Stockholm, Copenhagen, and Oslo, the communities combine great design and inspiring amenities, with direct access to transit and a strong connection to nature, creating human-centric environments that promote a healthier and happier way to live.

TRETTI’s nomination for outstanding excellence in a Mid- to High-Rise Condominium Project reflects the extensive planning and vision that has gone into the site. CreateTO, a team of real estate professionals working with the City of Toronto to manage its real estate portfolio, worked closely with Collecdev to develop a community plan for the lands at 30 Tippett which were sold to Collecdev in 2015.

The development aligns with the City’s overall vision for the Tippett Regeneration Area and includes provisions for new public services, roads, parks, and infrastructure, along with the 13-storey condominium and two purpose-built rental buildings, Tippett Park Phase 1 and Tippett Park Phase 2. A collection of suites has been designated for Collecdev H.O.M.E – Home Ownership Made Easy., the affordable ownership program developed in partnership with the Government of Canada, Ontario and the City of Toronto, that puts good living within reach for more first-time buyers. And sustainable building systems like geothermal energy and green roofs reduce the carbon footprint and create long-term value for residents. These elements, combined with convenient transit, an emphasis on the outdoors, and engaging amenities, make TRETTI a truly complete community, a place residents will be proud to call home.

Known for its clean lines and muted colour palette, Scandinavian design is a timeless aesthetic that can make your home feel fresh, modern and airy. Inspired by the cozy homes of Sweden, Norway, Denmark, Finland, and Iceland, this minimalist approach to interior design is focused on creating beautiful, functional spaces that reflect the natural environment.

Give a nod to the Nørdic lifestyle and bring a Scandinavian colour palette into your home in 2020 by following these four simple design guidelines.

Embrace Nørdic Neutrals
White serves as the backdrop of all Scandinavian design and is the ideal base from which to build your overall home aesthetic. Scandinavians favour soft tones and neutrals like white, beige, grey and cream – think subdued colours that inspire calm and tranquility. Achieve a clean, curated look in your home by sticking to a monochromatic colour scheme throughout the space and layering neutral colours in varying shades. If you want to inject subtle pops of colour, stick to muted natural tones and pastels; colours should feel washed out and lived-in rather than bright and saturated. Banish hot pink and vibrant teal from your colour scheme in favour of dusty rose, mint green, icy blue, and soft grey.

Keep Statement Pieces Subtle
While fun accent pieces can inject some personality into your home, you want to take a ‘less is more’ approach when recreating that stylishly stark Nørdic aesthetic. Scandinavian style is all about openness and minimalism, so try to avoid cluttering up the room with too many colourful knickknacks. Any decorative artwork or accent pieces you want to display should work to complement – rather than compete with – your neutral colour palette. If you want to introduce a patterned element like a unique wallpaper or rug, avoid anything that’s too busy and baroque. Instead, lean towards simple prints with clean lines like geometric patterns in muted colour tones or classic black and white stripes.

Stick to Light Woods and Modern Metallics
When it comes to wooden furniture, fine craftsmanship is a key element in Scandinavian design, so it’s important to invest in high-quality pieces that will stand the test of time. Keep the wood tones in your home light and natural to bring warmth to the space. Scandinavian style favours blonde timber, white-washed birch, pine, fir and elm. For some added shine, invest in brass and copper light fixtures and kitchen accessories for a contemporary finish.

Be Inspired by Nature
Scandinavian design is greatly inspired by the outdoors, which means the colour palette for your home should draw upon naturally occurring tones you might find at the beach or in the forest. Try to incorporate environmental colours, textures and design accessories into your space to create a sense of ‘Hygge’ – a Danish and Norwegian term that conveys a sense of coziness and comfort. Fabric furnishings should be made with soft and organic fibres like wool, linen and cotton, and can be dressed up with natural-inspired accessories like a mossy green throw pillow or a soft sheepskin rug. Feel closer to nature by bringing the outdoors in with driftwood accent pieces and green houseplants potted with natural stones in simple white ceramic pots.

Remember, keeping things simple can make a bold statement. To achieve a sleek Scandinavian-inspired colour palette in your home, start with clean monochromatic neutral tones and then incorporate warm woods, natural shades and textures, and muted pastel hues to create a sleek, comfortable space that’s uniquely yours.

What’s tall and slender, with a beautiful profile and a knack for catching the perfect light? These words could be describing the towering glamazons found on catwalks from Paris to Milan, but they’re equally appropriate as a descriptor for the towering scale models that grace sales centres across the continent. And, for the last thirteen years, Michael Burke has been turning out some of the best.

In the late 90s Burke was an architecture student at Ryerson University, regularly pulling all-nighters to build models for class. After graduation he scored a job at a professional model shop and five years later, he launched Myles Burke Architectural Models, with business partner David Myles. Today, the firm produces around 50 models each year for some of the biggest names in development. We sat down with the partner, co-owner, and model maker to find out what exactly goes into building a mini-dream. Super indeed.

Scale models are a very particular niche – how did you end up in the industry?
MB: I was at Ryerson studying architecture and one day, outside of the library, they had a scale model, built by a professional model building company. Until then I had only really seen our student cardboard and wood versions and this model blew my mind – I couldn’t believe the level of detail and the accuracy! I couldn’t figure out how anyone could do that… what materials were they using? How did they get the materials to look so real?

I discovered that a girl in my class was working at a model shop and in fourth year, when she and the rest of my classmates went out and got “real jobs,” her position opened up. I interviewed and got the job.

I really had no idea what I was doing, but I was eager to learn and excited by every new challenge and responsibility. I thought I had the coolest/funnest/most interesting job in the world.

I had only been working there about six months and then this other kid got hired – his name was David Myles.

David and I hit it off right away. We were the same age, had similar interests, and we were really into our jobs.

After about 5 years we felt we were ready for a new challenge, so we started Myles Burke
Architectural Models in 2006 and never looked back.

What’s the largest scale model you’ve ever built?
MB: Some of the larger models we’ve produced at Myles Burke have been The World Towers (Lodha, Mumbai), a full 14’ tall; and Rivington (Toll Brothers, Connecticut), an 11′ x 16′ model with a total area of 176 square feet. The largest model I’ve ever worked on in my career was the Burj Khalifa. The tower was 21′ tall, the base was 32′ in diameter. I went to Dubai for the install. It took 14 days to set up.

Give us the scoop, were you super into Lego and building blocks as a kid?
MB: You guessed it, Lego was totally my thing. I’d build for hours, mostly making stuff up on my own rather than following any instructions in the kit. I also had a train set and I loved building dioramas for school projects.

Why is it important to have a scale model of a project?
MB: Scale models seem to have a unique appeal – they’re part art installation/exhibit, part technical construction. I think people gravitate to them because they’re beautiful, complex, and analogue. They tell the complete story of a project – with just one glance you’re able to understand the size, shape, spatial relationships, etc. of a design. Most people can’t understand a set of architectural drawings but they can understand a scale model in an instant. There’s also an element of authenticity, of truth – scale models, by nature, have to be accurate (their inherent “scale” is found directly in the name), so people experience an immediate sense of trust.

Are you worried that technology may render physical models obsolete?
MB: When it gets to the point when VR is indistinguishable from reality, perhaps physical models will become obsolete, but I’m not worried about it for two reasons: one, when it does happen, I’ll finally get some time off work; and two, I expect to be retired by then.

Seriously though, people always try and tell us that we should just 3D print our models. We’re more than happy to print a model for someone, if they’re looking for an expensive piece of junk, but in my opinion, they don’t hold a candle to what we do. Our work is the real deal.

How many hours did it take to build the Tretti scale model? And the model for Nordic?
MB: Tretti took nearly 588 hours. Nordic has been 695.88 to date.

What’s the strangest thing you’ve ever been asked to replicate?
MB: The strangest thing I’ve been asked to build was a model of a flat earth for a flat earth convention. I declined the job – I refuse to contribute to such a anti-intellectual conspiracy and outright denial of obvious and testable truths about the oblate spheroid shaped earth.

What’s the average budget for a scale model?
MB: It ranges. The models that we work on aren’t usually less than $10K, average around $25K, and have gotten up to $180K.

What’s your favourite part of the process?
MB: I’ve been doing this for nearly 20 years and I still get excited in the final days of the project when everything comes together. It’s pretty sudden actually – all the parts, fresh out of the paint booth, get glued in place, the trees get installed, the furniture gets added. It’s amazingly satisfying to watch it all take shape.

Finish this sentence, “If I weren’t a scale model builder, I would probably be…”
MB: If I weren’t a scale model builder, I would probably be a starving musician. Thank goodness scale models paid off.

Visit the Collecdev Sales & Design Centre and see some of Burke’s work in living colour with the scale models of Tretti and Nordic, our latest communities.